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X-WR-CALDESC:Eventi per MA/IN festival
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DTSTART;TZID=Europe/Rome:20260919T183000
DTEND;TZID=Europe/Rome:20260919T200000
DTSTAMP:20260809T080341Z
CREATED:20260729T191042Z
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SUMMARY:MA/IN[X] - 10 EDIZIONI X 1 CATALOGO
DESCRIPTION:© Stefano Giust [Catalogue]\n \n🎟 free – cultural aperitivo included\nh 18.30 \nAntonio Mastrogiacomo + Ambra Benvenuto [IT] /// MA/IN ~ 10 EDIZIONI X 1 CATALOGO\nlezione concerto\n* MA/IN ACADEMY \nPublished to mark the tenth anniversary of MA/IN\, the catalogue traces the festival’s history while presenting its current edition. Through archival materials\, images\, texts and contributions by artists and scholars\, the volume reflects on a decade of research into sound\, audiovisual experimentation and contemporary artistic practices. Conceived not only as a record of past editions but also as a tool for interpreting the festival’s evolving identity\, the catalogue brings together memory and present-day perspectives within a shared editorial framework. The presentation will bring together multiple voices to introduce the catalogue and retrace the process behind its development\, from the selection and organisation of materials to the coordination of contributions and the overall editorial approach. \nAntonio Mastrogiacomo + Ambra Benvenuto /// Antonio Mastrogiacomo teaches pedagogy at the Academy of Fine Arts in Reggio Calabria. His research explores the relationship between critical pedagogy\, media activism\, and artistic practices\, with a particular focus on sound and contemporary music. He is a multimedia artist\, journalist\, and editor-in-chief of the journal «d.a.t.».\nAmbra Benvenuto is a journalist\, junior architect\, and PhD candidate in Visual and Media Studies. Her research focuses on enhancing cultural heritage through augmented reality\, bringing together aesthetics and architecture.\nThey are curators and editors for Il Sileno Edizioni’s «Musica_XXI» series. Together\, they developed and edited the catalogue celebrating ten years of MA/IN and the program for the current edition\, overseeing its structure\, contributions\, and overall editorial direction. \n\n\n\n\n⊕ MA/IN academy: is a structured program dedicated to training and education in contemporary music\, multi-level and multi-target: the offering for the general public includes the new educational trilogy curated by Giacomo Fronzi—which follows the previous trilogy on the history of electroacoustic music by the duo Iavarone/Gatti—the presentation of the 10th edition festival catalog curated by Antonio Mastrogiacomo and Ambra Benvenuto\, talks with artists\, listening introductions\, and concerts dedicated to the centenaries of some great composers. Within the MA/IN Academy\, projects are structured to involve high school students and students from partner conservatories through pathways that allow them to work directly with important composers and take part in unique masterclasses\, such as those organized in the past with Robert Henke\, Pierre Jodlowski\, and many others. Furthermore\, through an international call\, young composers are selected for the world premiere presentation of their works. \n\n\n     \n\n         \n\n© Antonio Mastrogiacomo + Ambra Benvenuto
URL:https://www.mainfest.it/calendar/catalogox/
LOCATION:Officine Culturali Ergot\, Piazzetta Ignazio Falconieri\, 1/b\, Lecce\, 73100\, Italy
CATEGORIES:Educational
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/COPERTINA-DEFINITIVA-senza-loghi.jpg
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DTSTART;TZID=Europe/Rome:20260920T183000
DTEND;TZID=Europe/Rome:20260920T200000
DTSTAMP:20260809T080813Z
CREATED:20260725T192429Z
LAST-MODIFIED:20260809T080813Z
UID:10835-1789929000-1789934400@www.mainfest.it
SUMMARY:MA/IN[X] - PLAY~ il performativo in musica [vol.2]
DESCRIPTION:© LOXOS [Play~]\n \n🎟 free – cultural aperitivo included\nh 18.30\nGiacomo Fronzi [IT] /// PLAY~ il performativo in musica [vol.1]: Cage e gli altri\n* MA/IN ACADEMY \nIn the first of three planned meetings\, we began exploring the constellations of performance\, starting from a few lexical\, semantic\, and conceptual clarifications. Moving from the distinction between the performative\, performativity\, and performance\, we gradually approached the so-called “performative turn” of the 1960s\, focusing on how it played out within music. In the second meeting\, we will focus above all on one of the undisputed protagonists of that era\, John Cage. After reconstructing his biography\, we will focus on some essential milestones of his output\, as well as the role he played in the development of the performing arts in the second half of the twentieth century. In addition to Cage\, we will also frame other central figures of the musical landscape of those decades: George Brecht\, Nam June Paik\, and La Monte Young. \nGiacomo Fronzi /// is Associate Professor at the University of Bari Aldo Moro\, where he teaches Aesthetics\, Aesthetics of the Performing Arts\, and Aesthetics of Music. He holds degrees in Philosophy (Lecce) and Musicology (Venice)\, a PhD in Philosophy\, and a diploma in Piano. He is the author of around one hundred publications\, eight of which are monographs. His main books include Theodor W. Adorno. Pensiero critico e musica\, Philosophical Considerations on Contemporary Music\, Electrosound. Storia ed estetica della musica elettroacustica\, Percorsi musicali del Novecento. Storie\, personaggi\, poetiche da Schönberg a Sciarrino\, and Performance. Un itinerario filosofico e storico-artistico. For Treccani’s Enciclopedia della musica contemporanea\, he wrote the entries “Rivoluzioni e musica\,” “Musica sperimentale\,” “Razzismo e musica\,” and “Canzone di protesta.” He writes program notes for concert organizations and institutions\, and has contributed to the newspaper Il Manifesto and to Micromega. Alongside his teaching and research\, he is also active as a pianist\, music critic\, and radio host (Rai Radio3 and Rete2 of Radio Svizzera Italiana). \n\n\n\n\n⊕ MA/IN academy: is a structured program dedicated to training and education in contemporary music\, multi-level and multi-target: the offering for the general public includes the new educational trilogy curated by Giacomo Fronzi—which follows the previous trilogy on the history of electroacoustic music by the duo Iavarone/Gatti—the presentation of the 10th edition festival catalog curated by Antonio Mastrogiacomo and Ambra Benvenuto\, talks with artists\, listening introductions\, and concerts dedicated to the centenaries of some great composers. Within the MA/IN Academy\, projects are structured to involve high school students and students from partner conservatories through pathways that allow them to work directly with important composers and take part in unique masterclasses\, such as those organized in the past with Robert Henke\, Pierre Jodlowski\, and many others. Furthermore\, through an international call\, young composers are selected for the world premiere presentation of their works. \n\n\n     \n\n         \n\n© Giacomo Fronzi
URL:https://www.mainfest.it/calendar/main26play2/
LOCATION:Officine Culturali Ergot\, Piazzetta Ignazio Falconieri\, 1/b\, Lecce\, 73100\, Italy
CATEGORIES:Educational
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/PLAY-giacomo-Fronzi.jpg
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