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X-WR-CALDESC:Eventi per MA/IN festival
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DTSTART;TZID=Europe/Rome:20261002T203000
DTEND;TZID=Europe/Rome:20261002T220000
DTSTAMP:20260813T202322Z
CREATED:20260731T070344Z
LAST-MODIFIED:20260813T202322Z
UID:10845-1790973000-1790978400@www.mainfest.it
SUMMARY:MA/IN[X] - Icarus vs Schubert / MRSP
DESCRIPTION:© Icarus vs Muzak  \n🎟 ticket in vendita su EVENTBRITEe disponibili in loco fino esaurimento posti.\nPossibilità di acquistare il biglietto combo MA/IN[X] – Icarus vs Schubert / MRSP + Icarus vs Francesconi / ARS NATURA a un prezzo scontato\, che garantisce l’accesso sia all’evento del 2 ottobre sia a quello del 3 ottobre a Potenza.\n▷ apertura porte h 20.00\n▷ concerto\nh 20.30\n⦿ Icarus vs Muzak [IT] /// Schubert/Ratoci/Diba\n⌾ Alessandro Ratoci [IT] /// Muzak Player N.2\n⌾ Pedram Diba [IR/US] /// Pazhvak Astaneh\n⌾ Alexander Schubert [DE] /// Serious Smile \nh 21.45\n⦿ Huang Wei [TW]  /// MRSP\nA/V performance \n\n/// MRSP is a fully generative audio-visual performance. It invites a way of looking and listening without thinking or a fixed purpose\, as an exploration of my own aesthetics. The work moves from reaction diffusion textures\, to a familiar unreal sky built from layered noise\, and finally to magnetic fields shaped by the interaction between the magnetosphere and the solar wind. These invisible forces are close to daily life and can be felt as gentle shifts in rhythm and attention. Images follow the field’s direction and intensity\, while sound moves between near silence and noise.\nHuang Wei ///  is an audio-visual artist based in Taipei. His work centers on observations of everyday life\, transforming non-ordinary visual experiences into familiar contexts through intuitive imagination of objects and systems. Explores how image and sound operate together to enhance a sense of reality and immersion\, while incorporating his personal aesthetic sensibility. In recent years\, his practice has focused on algorithm-based image and sound systems\, developing real-time performance formats. His works have been presented at major events including the Lacking Sound Festival. In 2021\, he was selected for the Taiwan Sound Lab (TSL) residency program. He performed at TUNNEL TOKYO in 2023 and WeSA Festival in Seoul in 2024. Between 2021 and 2024\, he presented multiple dome-based immersive works at FUTURE VISION LAB\, and in 2024\, his works were selected for SAT Fest and the Melbourne International Film Festival (MIFF) \n\nIcarus vs Muzak /// is the continuation of the successful experience that was Icarus Junior – first youth ensemble founded and overseen by Icarus Ensemble in 2007. Their first production\, under the direction of Francesco Micheli\, was live streamed or RaiRadio3. Later\, Icarus produced “Prove di volo” for amplified instruments\, elecrtonics and video (created by Otolab and MartinenFabrik). “Prove di volo” was performed in San Francisco (Spring Festival of the Bay Area in collaboration with Italian institute of Culture) and in various italian cities. The following program\, “The Dark Side of the Moon-Revisited” with MartinenFabrik’s video art\, was performed in Zagreb Bienniale in 2009. Icarus Junior members took part in projects in Dijon\, Milan\, Cairo and Alexandria. “Soli Deo Gloria” was performed within the homonymous festival in Reggio Emilia in 2010\, with replies in Mantova\, Belfort\, Milan\, Modena. In 2014 “Cervelli in fuga”\, collection of youg italian composers in Paris\, was performed in Madrid\, Avila\, Milan/Brera\, Reggio Emilia. Icarus vs Muzak started his activity with various concerts based on percussions and the new current ensemble. The ensemble produced several programs for Maramotti Art Collection\, ranging from Terry Riley’s “In C” to a mixed Crumb/Guo Wengjing program. In 2017 the ensemble started a residency in Brera Academy (Milan)\, still ongoing\, in collaboration with Amici di Musica/Realtà. The resulting productions\, whether independent or shared with Icarus Ensemble\, are significant. Among those\, “Sinestesie” was created on the occasion of Brera Academy’s Open Day\, in collaboration with Brera Art Gallery: they performed Melchiorre’s “Unreported”\, an opera about Ustica air disaster\, created together with Associazione parenti delle vittime di Ustica\, with replies in Reggio Emilia and Bologna. The ensemble dedicated various thematic programs to contemporary repertoire.\nVoice Elizangela Torricelli\nFlutes Giovanni Mareggini\nOboe Orfeo Manfredi\nClarinet Alberto Delasa\nPiano Diego Petrella\nKeyboards Marco Pedrazzini\nGuitars Giorgio Genta\nHarp Gilda Gianolio\nPercussion Francesco Pedrazzini\nViolin Giorgia Saito\nViola Yoko Morimyo\nCello Luca Colardo\nDouble bass Mauricio Petta\nConductor Tommaso Ussardi \n  \n\n\n \n\n© Alexander Schubert\n\n\n \n\n© Huang Wei
URL:https://www.mainfest.it/calendar/main26icarus1/
LOCATION:Teatro Francesco Stabile\, Piazza Mario Pagano\, POTENZA\, 85100\, Italia
CATEGORIES:Audiovisual,Live Performance,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/08/GP4A0274-scaled-e1786269376181.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261003T203000
DTEND;TZID=Europe/Rome:20261003T220000
DTSTAMP:20260813T202357Z
CREATED:20260731T071554Z
LAST-MODIFIED:20260813T202357Z
UID:10849-1791059400-1791064800@www.mainfest.it
SUMMARY:MA/IN[X] - Icarus vs Francesconi / ARS NATURA
DESCRIPTION:© Quentin Chevrier [Ars Natura]\n \n🎟 ticket in vendita su EVENTBRITEe disponibili in loco fino esaurimento posti.\nPossibilità di acquistare il biglietto combo MA/IN[X] – Icarus vs Schubert / MRSP + Icarus vs Francesconi / ARS NATURA a un prezzo scontato\, che garantisce l’accesso sia all’evento del 2 ottobre sia a quello del 3 ottobre a Potenza.\n▷ apertura porte h 20.00\n▷ concerto\nh 20.30\n⦿ Icarus vs Muzak [IT] /// Francesconi/Molina\n⌾ Luca Francesconi [IT] /// Lips\, Eyes\, Bang\n⌾ Agustín Castellón Molina [CL] /// A swarm of silhouettes rose from an inverted dawn \nh 21.00\n⦿ Annabelle Playe + Hugo Arcier [FR] /// Ars Natura\nA/V performance \n\n/// ARS NATURA – legend of the future or sonic archaeology of a forgotten world: representations of nature and brutalist architecture seem to unfold a false world. Is it a before or after Anthropocene\, a simulation or our planet? ARS NATURA is marked by human and animal absence\, apart from the performer who initiates the appearance and disappearance of the image through sound.\nSurvivor or initiator of another world\, human\, android or cyborg wondering about her origins? A viewer\, an interface\, a certain solitude.\nARS NATURA grapples with our connection to the living world through contemplation: a science-fiction that immerses us in a powerful\, wild and even disquieting nature.\nAnnabelle Playe /// is an artist specializing in experimental electronic music. She uses electronic instruments to create solo compositions\, audiovisual works\, and hybrid art forms. Dedicated to promoting greater visibility for women in music\, she addresses contemporary societal issues through narratives inspired by science fiction\, or by creating works that inhabit unique and powerful sonic worlds.\nHugo Arcier ///  is a French digital artist (in fact\, an artist in a digital world) who uses 3D computer-generated images in a variety of forms: videos\, prints and sculptures\, AV performances. His artistic work has been presented at Elektra\, Mutek Mx\, la Philharmonie de Paris\, Sonica\, Nemo\, art venues (New Museum NY\, New Media Art Center of Sichuan Fine Arts Institute\, Le Cube\, Okayama Art Center\, Palais de Tokyo)\, and contemporary art fairs (Variation\, Slick) around the world\, making him a noted player in the world of digital art. \n\nIcarus vs Muzak /// Icarus vs Muzak is the continuation of the successful experience that was Icarus Junior – first youth ensemble founded and overseen by Icarus Ensemble in 2007. Their first production\, under the direction of Francesco Micheli\, was live streamed or RaiRadio3. Later\, Icarus produced “Prove di volo” for amplified instruments\, elecrtonics and video (created by Otolab and MartinenFabrik). “Prove di volo” was performed in San Francisco (Spring Festival of the Bay Area in collaboration with Italian institute of Culture) and in various italian cities. The following program\, “The Dark Side of the Moon-Revisited” with MartinenFabrik’s video art\, was performed in Zagreb Bienniale in 2009. Icarus Junior members took part in projects in Dijon\, Milan\, Cairo and Alexandria. “Soli Deo Gloria” was performed within the homonymous festival in Reggio Emilia in 2010\, with replies in Mantova\, Belfort\, Milan\, Modena. In 2014 “Cervelli in fuga”\, collection of youg italian composers in Paris\, was performed in Madrid\, Avila\, Milan/Brera\, Reggio Emilia. Icarus vs Muzak started his activity with various concerts based on percussions and the new current ensemble. The ensemble produced several programs for Maramotti Art Collection\, ranging from Terry Riley’s “In C” to a mixed Crumb/Guo Wengjing program.\nIn 2017 the ensemble started a residency in Brera Academy (Milan)\, still ongoing\, in collaboration with Amici di Musica/Realtà. The resulting productions\, whether independent or shared with Icarus Ensemble\, are significant. Among those\, “Sinestesie” was created on the occasion of Brera Academy’s Open Day\, in collaboration with Brera Art Gallery: they performed Melchiorre’s “Unreported”\, an opera about Ustica air disaster\, created together with Associazione parenti delle vittime di Ustica\, with replies in Reggio Emilia and Bologna. The ensemble dedicated various thematic programs to contemporary repertoire.\nVoice Elizangela Torricelli\nFlutes Giovanni Mareggini\nOboe Orfeo Manfredi\nClarinet Alberto Delasa\nPiano Diego Petrella\nKeyboards Marco Pedrazzini\nGuitars Giorgio Genta\nHarp Gilda Gianolio\nPercussion Francesco Pedrazzini\nViolin Giorgia Saito\nViola Yoko Morimyo\nCello Luca Colardo\nDouble bass Mauricio Petta\nConductor Tommaso Ussardi \n\n\n \n\n© Luca Francesconi\n\n\n \n\n© Annabelle Playe
URL:https://www.mainfest.it/calendar/main26icarus2/
LOCATION:Teatro Francesco Stabile\, Piazza Mario Pagano\, POTENZA\, 85100\, Italia
CATEGORIES:Audiovisual,Live Performance,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/ARS_NATURA_janv2025_photo-de-Quentin-Chevrier_bassedef-11-e1785511412348.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261007T183000
DTEND;TZID=Europe/Rome:20261007T193000
DTSTAMP:20260731T152210Z
CREATED:20260731T151657Z
LAST-MODIFIED:20260731T152210Z
UID:10858-1791397800-1791401400@www.mainfest.it
SUMMARY:MA/IN[X] - screening session [1]
DESCRIPTION:© Forma Naturae\n \n🎟 biglietti disponibili solo in loco \n▷ screening session①\n\n⦿ selection of audiovisual works from the “call for works 2026” \nPROGRAMMA\n \n\nCaulet David [CA] /// 6684 Ft\nGiuseppe Tarantino + Paolo Piazza [IT] /// Forma Naturae\n\nKyungjin Lim + Minjung Lee [KR] /// [‘Asu-R:Ei]\n\nLiuyang Tan [CN] /// Axis of Frost\nMatteo Castiglioni [IT] /// Space Is Only Noise
URL:https://www.mainfest.it/calendar/main26audiovisual1/
LOCATION:il Piccolo\, Via XX Settembre 14\, MATERA\, 75100\, Italia
CATEGORIES:Audiovisual
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/5.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261008T183000
DTEND;TZID=Europe/Rome:20261008T193000
DTSTAMP:20260731T160034Z
CREATED:20260731T153843Z
LAST-MODIFIED:20260731T160034Z
UID:10862-1791484200-1791487800@www.mainfest.it
SUMMARY:MA/IN[X] - screening session [2]
DESCRIPTION:© In And Out However Oneself\n \n🎟 biglietti disponibili solo in loco \n▷ screening session②\n⦿ selection of audiovisual works from the “call for works 2026” \nPROGRAMMA\n \n\nGianluca Iadema [IT] /// In And Out However Oneself\nJoão Pedro Oliveira [PT] /// Machinarium\nFrancesco Sottile [IT] /// Introspezioni Immaginarie\nMarta Zigante [IT] /// Fosforo\nGordon Delap [IE] /// Autoportrait Aux Épines
URL:https://www.mainfest.it/calendar/main26audiovisual2/
LOCATION:il Piccolo\, Via XX Settembre 14\, MATERA\, 75100\, Italia
CATEGORIES:Audiovisual
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/IOHO_7.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261009T200000
DTEND;TZID=Europe/Rome:20261009T213000
DTSTAMP:20260809T105100Z
CREATED:20260731T162124Z
LAST-MODIFIED:20260809T105100Z
UID:10865-1791576000-1791581400@www.mainfest.it
SUMMARY:MA/IN[X] - Giovanna Sevi
DESCRIPTION:© Giada Lupano [Giovanna Sevi]\n \n🎟 biglietti disponibili solo in loco\n▷CHANGÜÍ – CONCERTO for VIOLIN + ELECTRONICS\nh 20:00\nPROGRAMMA\n \n\nRocio Cano Valiño [AR] /// Changüí\nKaija Saariaho [FI] /// Frises (I. Frise jaune II. Frise de fleurs)\nLeanna Ciciriello [IT] /// Attraverso questo Oblio\nAndrea Siano [IT] /// Across I\nLorena Dello Russo [IT] /// Thelxiope (Θελξιόπη)\nTianxiazi Huang [CN] /// Crust and Nebula\n\nin collaborazione con il Conservatorio “E. R. Duni” di Matera (classi di composizione e musica elettronica); coordinamento: M° Roberto Vetrano \n\n/// The word Changüí is a common expression in Rioplatense lunfardo (the slang traditionally spoken in Argentina and Uruguay)\, referring to an advantage\, a benefit\, a concession. In this work\, the gestures and sonic materials produced by the violin are gradually taken up\, extended\, and transformed by the electronics\, which offer them a kind of “second chance” or continuation: changüí becomes a musical metaphor. Rather than merely imitating the instrument\, the electronics establish a dialogue with it\, opening up an additional space for expression. [Rocío Cano Valiño]\nFrises focused on the idea of one historical ostinato variation form. The first part “Frise jaune” is a prelude\, a flexible improvisation around a constant D\, coloured by harmonics and the electronic part consisting of bell sounds. This part is also inspired by the idea of carillon. The second part “Frise de fleurs” is based on a harmony created on a ground bass. Sequences of successive chords are gradually enriched before opening to achieve a more free and lyrical development. [Kaija Saariaho]\n \nGiovanna Sevi /// is an Italian violinist based in Paris. Born in 1999\, she pursued her studies at the Conservatoire National Supérieur de Musique de Paris\, the Accademia Nazionale di Santa Cecilia in Rome and the Koninklijk Conservatorium in Ghent.\nAt the heart of her artistic project lie contemporary creation and dialogue with composers. She collaborated with the Ensemble Intercontemporain\, Musikfabrik\, L’Itinéraire\, and Ictus\, and with composers like Georges Aperghis\, Marco Stroppa\, George Benjamin\, Beat Furrer\, Stefano Gervasoni.Laureate of the Lucerne Festival\, she has performed as a soloist at Manifeste Festival (IRCAM\, 2025)\, Festival Présences (Radio France\, 2026)\, Impuls Festival (Graz\, 2025)\, Festival Propagations (Marseille\, 2024)\, Mixtur Festival (Barcelona\, 2024)\, Blurred Edges Festival (Hamburg\, 2026)\, Meridian Festival (Bucharest\, 2024)\, Festival Messiaen aux Pays de la Meije (La Grave\, 2024). Giovanna plays a 1876 Gand & Bernardel violin\, kindly loaned from the Fondation Talents & Violon’celles in Paris. She is supported by the Société Générale and by the ADAMI Fondation. \n  \n\n\n     \n\n         \n\n© Rocío Cano Valiño\n     \n\n         \n\n© Kaija Saariaho
URL:https://www.mainfest.it/calendar/giovannasevi/
LOCATION:il Piccolo\, Via XX Settembre 14\, MATERA\, 75100\, Italia
CATEGORIES:Educational,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/Portrait-Giovanna-Sevi_oh-Giada-Lupano.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261010T203000
DTEND;TZID=Europe/Rome:20261010T213000
DTSTAMP:20260809T105926Z
CREATED:20260731T163854Z
LAST-MODIFIED:20260809T105926Z
UID:10872-1791664200-1791667800@www.mainfest.it
SUMMARY:MA/IN[X] - Interférences  | Tanah Tanah
DESCRIPTION:©Mutek Montreal [Interférences] \n🎟 ticket in vendita presso il  Teatro Guerrieri fino esaurimento posti\n▷ apertura porte h 20.00\n \n▷ concerto\nh 20.30\n⦿ Alexis Langevin-Tétrault [CA] /// Interférences\nlive performance \nh 21.00\n⦿ Rami Syahbandi [ID] /// Tanah Tanah\nA/V percussion performance \n\n/// Interférence (String Network) is an audiovisual performance that explores the possibilities of embodiment of an electroacoustic work in real time through gestural interaction with a unique device. On stage\, an audioreactive play of light unfolds gradually: Alexis Langevin-Tétrault builds a network of strings with which he interacts to create a sound universe between the industrial noise\, electronica and acousmatic music. Through the staging of corporality and the dialectical relationship between the human and the machine\, Interférences (String Network) presents an allegory of the globalized and interconnected modern world in which the individual seeks to derive meaning from his experience and attempts to preserve its freedom of action. Alexis Langevin-Tétrault proposes a singular universe and infuses a live dynamic to a musical genre rarely incarnated by performance.\nAlexis Langevin-Tétrault /// is an interdisciplinary artist and composer based in Montreal and born in Baie-Comeau\, Canada. He has contributed to a variety of projects such as the collectives Aubes\, Falaises\, DATANOISE\, QUADr and ILEA\, in addition to solo audiovisual performances such as REPLIKAS\, Hypercube (one) and Interférences (String Network). His work explores the concept of corporality and is characterized by the design of audiovisual devices\, physical performance\, scenographic and dramaturgic work\, exploration of sound synthesis\, and also conceptual and social reflection. His work has been presented in more than 110 international events and 25 countries\, such as Ars Electronica (AT)\, L.E.V. (ESP)\, MUTEK (CA)(ES)(JP)\, Biennale NÉMO (FR)\, Transart (IT)\, ADAF (GR)\, Intonal (SWE)\, NEXT (SVK)\, BIAN-Elektra (CA)\, ISEA (KR)(CA)\, Akousma (CA) and Espace du son (BE). Alexis Langevin-Tétrault also released more than 20 electronic music albums. His audio work was rewarded by Foundation Destellos (AR) in 2014 and 2015\, by SOCAN Foundation (CA) in 2015\, and also by Exhibitronic Festival (FR)\, International Electroacoustic Music Week (FR) and fondation Musiques & Recherches (BE) in 2016. \n\n/// Tanah Tanah is a cross-disciplinary electronic media work that combines audio\, visual\, and performative installation as an experimental medium to examine the ecological\, social\, and economic relationships behind illegal gold mining practices in the interior of West Kalimantan. This work utilizes an ecological soundscape approach and photographic visual architecture to form a sensory narrative that connects data\, landscape\, and experience. Technically\, the installation utilizes two 12-inch subwoofer speaker systems that emit infrasonic signals to trigger rhythmic patterns that function as both musical instruments and sound sources.\nRami Syahbandi /// is a Pontianak-based sound and visual artist whose work explores socio-environmental and cultural convergence through electronic media\, installations\, and visual art. He has been involved in and worked on a variety of projects\, ranging from acoustic compositions to video works\, electronic music production\, engineering\, media installations\, and multi-channel audio.\n \n\n\n     \n\n         \n\n© Alexis Langevin-Tétrault\n     \n\n         \n\n© Rami Syahbandi
URL:https://www.mainfest.it/calendar/main26interferences/
LOCATION:CineTeatro Guerrieri\, Piazza Vittorio Veneto 23\, MATERA\, 75100\, Italia
CATEGORIES:Audiovisual,Live Performance
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/Interferences_Credit_Mutek-Montreal_2017_03-scaled.jpg
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