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X-WR-CALDESC:Eventi per MA/IN festival
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DTSTART;TZID=Europe/Rome:20260917T203000
DTEND;TZID=Europe/Rome:20260917T230000
DTSTAMP:20260809T102358Z
CREATED:20260725T162755Z
LAST-MODIFIED:20260809T102358Z
UID:10813-1789677000-1789686000@www.mainfest.it
SUMMARY:MA/IN[X] - KORA①
DESCRIPTION:© re_derma\n \n🎟 biglietti disponibili solo in loco\n\n▷ opening / installazione\nh 20.30\n⦿ re_derma [IT] /// Somatic Resonance\nsound installation \n⦿ #acousmatic miXtape\n\nsound installation/listening room\n\n\nHoyong Lee [KR] /// Dashboard: Bit-Crushed\nIsaac Barzso [US] /// Bled in plasticrust\nPanayiotis Kokoras [GR/US] /// AI Phantasy\nWei Yang [CN] /// rain contained\, rain contains…\nIan Whillock [US/DE] /// Residual\nLoup Mormont [BE] /// Nuit Corail\nTheodoros Karkatselas [GR] /// Quarks\nBoyi Bai [CN] /// Take Me Back to Indonesia\nJonty Harrison [GB] /// Kammermusik\nAbril Padilla [AR] /// GRIMJA\n\n\n\n▷ concerto\nh 21.00\n⦿ Francesco Massaro [IT]  /// Tactile\nsax + electronics + audiovisual \n⦿ Hoshiko Yamane + Makoto Sakamoto [JP] /// A Fragment of the Story\nviolin + electronics \n\n/// A Fragment of the Story  [mixed media] A Fragment of the Story unfolds as an evolving sonic environment constructed entirely in real time. Rather than presenting a fixed composition\, Hoshiko Yamane and Makoto Sakamoto develop musical form through continuous listening\, interaction\, and response. The electric violin functions as part of a live electronic system in which signal processing\, feedback\, resonance\, and spatial projection continuously influence one another. Layers of sound gradually reveal shifting harmonic relationships while moments of density and silence reshape the perception of time and space. Rather than telling a complete narrative\, the performance offers fragments from which listeners may discover their own journeys. Memories\, personal associations\, and imagined stories emerge differently for each individual\, making every experience unique. Each realization responds to the acoustic characteristics of the venue and the conditions of the moment\, creating a sonic architecture that exists only through the interaction between performers\, space\, and audience.\nYamane + Sakamoto/// A duo featuring Hoshiko Yamane\, violinist of Tangerine Dream and classically trained composer\, and Makoto Sakamoto\, who shapes live electronic spaces through sound construction and real-time processing. Within Sakamoto’s layered waves of abstract\, quasi-mechanical tones and dense noise textures\, harmonic structures begin to emerge. Yamane’s razor-sharp precision and distinctly classical expressiveness move through this shifting field—at times merging with it\, at times cutting through it with striking clarity. Their performances are marked by intensity\, control\, and a strong sense of structure.\n \n\n/// Tactile  [A/V performance] cineconcerto by Leonardo Carrano Through a stereoscopic vision\, the film investigates the evolutions of the matter that organically inhabits the 35mm film\, staging a tactile and sensitive perception that\, abandoning the ocular scopic regime\, plunges into an incorporeal experience where unconscious humanity and interstellar universes seem to touch. The music\, composed and performed live by Francesco Massaro\, seeks a non-literal relationship with the image\, while remaining faithful to the director’s creative processes; thus creating a double within a double\, in which the sound also follows the subversion of the natural order of the senses\, seeking itself to be touched.\nFrancesco Massaro/// Sax player\, composer and sound artist whose practice unfolds at the intersection of improvisation\, composition\, and sonic research. Working with saxophones\, clarinets and live electronics\, he investigates sound as a material\, embodied\, and perceptual phenomenon\, developing performance environments in which acoustic and electronic processes continuously reshape one another. His work treats the instrument as an unstable and evolving system\, where feedback\, resonance\, friction\, and micro-variation become compositional forces. Situated within a fluid territory spanning experimental music\, avant-jazz\, contemporary composition\, electronic practices\, and ethnic traditions\, his artistic research explores emergent forms\, relational listening\, and the poetics of transformation. His projects frequently extend beyond music\, engaging dialogue with space\, image\, language\, and the body. A student of Gianni Lenoci\, Massaro has received recognition from institutions and critics. He has presented his work throughout Italy and Europe at festivals and venues dedicated to contemporary sound practices\, including AngelicA\, Tempo Reale and Area Sismica.\n \n\n/// Somatic Resonance [multimedia installation] Somatic Resonance investigates the transmutation of biological data into mechanical energy\, exploring the threshold where the organic body merges with digital and sonic infrastructure. Visitors’ heartbeats\, detected by biometric sensors\, are extracted and re-injected into a synthetic structure. Membranes are set into vibration by electroacoustic transducers\, manifesting digital flesh through sub-low frequencies that act directly on matter. A system of translucent communicating vessels acts as an informational circulatory apparatus\, connecting the human body to the machine in a visceral flow of data. The work shifts the focus from the visual representation of flesh to its vibratory persistence\, transforming the exhibition space into a sensitive organism. When multiple users interact simultaneously\, the installation evolves into a collective ecosystem generating interference. In this tension between synchrony and chaos\, Somatic Resonance seeks to redefine sound and technology as a disturbing extension of the human nervous system.\nre_derma /// is a multimedia artistic duo born as a collective in 2024\, active in installation\, performative digital practices\, and audiovisual live-sets. Their research investigates the body in its most intimate and carnal relationship with technology and structures of power\, focusing on the contemporary digital ecosystem: Artificial Intelligence\, biohacking\, and the digitalization of desire and the body. The project takes shape in interactive installations\, experiential spaces\, A/V performances\, and multi-screen scenographies. Within these environments\, technology becomes an extension of the body\, and the subjectivities that move through the works are invited into an active engagement that destructures the logics of control and questions the boundaries between real and virtual\, turning the body into a transducer of impulses. The collective has presented its work in contexts such as LIMINAL SPACE\, Studio Tiepolo 38\, the Academy of Fine Arts of Rome\, Manifatture Knos (Lecce)\, and Parsec (Bologna)\, as well as in Roman venues such as Esc Atelier\, Casa delle Donne di Roma\, Trenta Formiche\, La Redazione di Scomodo\, Forte Prenestino\, Alibi Club\, and Angelo Mai. \n\n\n     \n\n         \n\n© Yamane + Sakamoto\n     \n\n         \n\n© Francesco Massaro
URL:https://www.mainfest.it/calendar/main26kora%e2%91%a0/
LOCATION:KORA – Contemporary Arts Center\, Via Vittorio Emanuele\, 19\, CASTRIGNANO DE' GRECI (LE)\, 73020\, Italia
CATEGORIES:Acusmatica,Audiovisual,Live Performance,Mixed Media,Sound Art
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/re__derma.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260918T203000
DTEND;TZID=Europe/Rome:20260918T230000
DTSTAMP:20260808T144309Z
CREATED:20260725T174354Z
LAST-MODIFIED:20260808T144309Z
UID:10816-1789763400-1789772400@www.mainfest.it
SUMMARY:MA/IN[X] - KORA②
DESCRIPTION:© lorenzo ballerini\n \n🎟 biglietti disponibili solo in loco\n▷ opening / installazione\nh 20.30\n⦿ re_derma [IT] /// Somatic Resonance\nsound installation \n⦿ #acousmatic miXtape\n\nsound installation/listening room\n\n\nHoyong Lee [KR] /// Dashboard: Bit-Crushed\nIsaac Barzso [US] /// Bled in plasticrust\nPanayiotis Kokoras [GR/US] /// AI Phantasy\nWei Yang [CN] /// rain contained\, rain contains…\nIan Whillock [US/DE] /// Residual\nLoup Mormont [BE] /// Nuit Corail\nTheodoros Karkatselas [GR] /// Quarks\nBoyi Bai [CN] /// Take Me Back to Indonesia\nJonty Harrison [GB] /// Kammermusik\nAbril Padilla [AR] /// GRIMJA\n\n\n\n▷ concerto\nh 21.00\n⦿ Simone Grande [IT] /// Mani Rotte  /// Mani Rotte\nelectric guitar + electronics  \n⦿ Lorenzo Ballerini [IT] /// Void\nsmartphone network performance \n⦿ H7-25 [IT] (Damiano Meacci + Gianluca Catuogno) ///OVERT[o]URISM\nlive electronics \n\n///OVERT[o]URISM [live electronics performance] a single small letter\, squeezed between capitals\, is all it takes to tip an overture into overtourism. The small crushed by the outsized: an island\, a city\, a mind under the many forms of “over” we inhabit — overtourism\, which the duo experiences at first hand between Florence and Capri; the flood of information that promises awareness and delivers distraction; the strain every excess places on the ecosystems — natural\, urban\, mental — that sustain us. On stage\, sound behaves like an ecosystem. Fragile equilibria are enriched by new presences: it is not presence that breaks them\, but excess — proliferations that thicken into chaos and consume the balance that had made room for them. Much of the duo’s sound is born from almost nothing: background noise channelled into feedback circuits (no-input) until it proliferates into matter — noise itself turned into excess; around it\, pre-recorded fragments — voices of protest — reworked live\, and the ticking of a timer\, time running out as it all unfolds. Dense saturation alternates with deep stillness\, in a free improvisation grounded in mutual listening: what happens when what we take for enrichment begins to devour us?\nH7-25 /// is the electroacoustic duo of Gianluca Catuogno (Capri) and Damiano Meacci (Florence). Born from a shared urge to improvise\, the duo builds its music from essential means: everyday objects\, small folk instruments and self-built electronics\, explored through close listening and transformed live into events\, textures and form. Each performance reshapes itself around the space that hosts it. H7-25 has performed at Tempo Reale Festival (Florence)\, Resonant Edge Festival (UK) and Audio Art Festival (Kraków)\, and in residency at Château Éphémère (Paris). Gianluca Catuogno is an electronic musician\, composer and music therapist. He has created a sound installation for sculptor Arnaldo Pomodoro\, written music for theatre (with Roberto Saviano and Mimmo Borrelli) and film\, and explores live electronics in music therapy. He teaches at the Tito Schipa Conservatory in Lecce. Damiano Meacci is a musician and sound researcher\, member of Tempo Reale since 1996\, performing live electronics for Luciano Berio and many others\, from Teatro alla Scala to IRCAM. His music for Nina\, with soprano Claron McFadden\, is touring internationally. He teaches at the Cherubini Conservatory in Florence. \n\n/// Void  [smartphone network performance] Void arises from an exploration of the contemporary paradox: connection as a form of isolation. In a hyperconnected system\, constant access to personalized visual\, sonic\, and informational content generates increasingly separate individual experiences. The illusion of a shared space fragments into perceptual micro-universes\, calibrated for a single subject.\nThe performance questions the concept of spatialization\, no longer as an extension\, but as a contraction of space. A shared loudspeaker system constructs a common acoustic environment\, while the audience’s smartphones introduce another perceptual layer: private perceptual spaces\, accessible only to those who temporarily hold them. Controlled in real time by the performer\, these parallel experiences create a shifting relationship between collective listening and individual perception. Void invites the audience to reflect on the threshold between the personal and the collective\, asking whether there is something that no one can perceive alone.\nLorenzo Ballerini ///  is an Italian sound and new media artist and researcher based in Florence. He is Professor of Electroacoustic Music and Multimedia Arts at the Conservatory of Trapani. His practice explores sound\, space\, and digital media through performances and installations focused on social interaction and collective behaviour. His work has been presented at ADE Festival\, Artech\, Berlin Biennale\, Bright Festival\, CHB Berlin\, Diffrazioni Festival\, Fabbrica Europa\, Gaida Festival\, ICSC\, IRCAM-WAC\, MA/IN Festival\, MEFF\, SMC\, and Tempo Reale Festival. He has collaborated with artists including Alvise Vidolin\, Christine Meisner\, Michele Marasco\, Nicola Sani\, Paolo Parisi\, Roberto Fabbriciani\, and Tiziano Manca.\n \n\n/// Mani Rotte  [mixed media]  is a moment devoted to improvisation for electric guitar and live electronics\, and it uses no score. A melody\, or a small cell\, is developed\, redefined and transformed into a continuous dialogue between instrument\, gesture and compositional thought: improvisation\, body\, space and memory are at the heart of its research. In a hyper-productive and hyper-descriptive age\, the project chooses to withdraw toward the foundational materials of a path — texts\, melodies and harmonies — in order to reread them through contemporary tools. It recycles and reinterprets the past without indulging in formalism\, seeking an essential\, unhurried listening\, one able to counter the perceptual frenzy of the present. Mani Rotte does not claim to invent something new: it questions the very idea of originality\, generating new awareness around material that already exists. Close to improvisation on a theme and variations\, its aim is to reactivate listening and to offer fresh perspectives\, without sweetening or new terminology. It is the real-time sound-processing tools that define\, time after time\, the form and structure of the performance.\nSimone Grande /// is an Italian guitarist and sound designer. He moved to Bologna to study classical guitar with Walter Zanetti; after graduating he continued in electronic music and sound design\, focusing on improvisation through a Master’s in Electroacoustic Improvisation. His independent projects and releases include “Mani Rotte\,” a solo performance for guitar and electronics\, and “CavalloGrande\,” a cassette with Biagio Cavallo. He has collaborated with musicians and institutions such as Julien Desprez for Ohm Orchestra (Angelica Festival\, Bologna)\, Joseph Kamaru for the “Stayer” tour (La Torre Centro Musica\, Modena)\, Christian Wolff for the “Sveglia” project (Angelica\, Italy)\, Tempo Reale (Italy) for commissions and live sets\, and Virgilio Sieni’s Cango Cantieri Danza (Italy). He has released with Elli Records (France) with the B.I.G. (Bologna Improvisation Group) and NeverAnythingRecord (USA).\nHe has handled sound design for dance productions with CGJ (Italy)\, including “Pas De Deux\,” “Fuego\,” “Evento\,” and “Elysium” (Cango Cantieri Goldonetta\, Virgilio Sieni). He has been hosted internationally at the Cité des Arts in Paris and Instants Chavirés. \n\n/// miXtape [LISTENING ROOM] 10 works selected from the acousmatic category become part of the annual acousmatic mixtape featured on the MA/IN festival website. Marking the festival’s 10th anniversary\, this year’s edition extends into a physical space: a sound installation inside KORA transforms into a listening room\, allowing visitors to freely explore and experience the 10th [X] miXtape.\n \n\n\n     \n\n         \n\n© H7-25\n     \n\n         \n\n© Simone Grande
URL:https://www.mainfest.it/calendar/mainxkora%e2%91%a1/
LOCATION:KORA – Contemporary Arts Center\, Via Vittorio Emanuele\, 19\, CASTRIGNANO DE' GRECI (LE)\, 73020\, Italia
CATEGORIES:Acusmatica,Live Performance,Mixed Media,Sound Art
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/Void-video-ph-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20260919T210000
DTEND;TZID=Europe/Rome:20260919T223000
DTSTAMP:20260813T203607Z
CREATED:20260725T182624Z
LAST-MODIFIED:20260813T203607Z
UID:10823-1789851600-1789857000@www.mainfest.it
SUMMARY:MA/IN[X] - FENNESZ
DESCRIPTION:© Carsten Nicolai [Fennesz] \n🎟 ticket in vendita su EVENTBRITEe disponibili in loco fino esaurimento posti.\nPossibilità di acquistare il biglietto combo MA/IN[X] – FENNESZ + GVINIASHVILI | DROLJC a un prezzo scontato\, che garantisce l’accesso sia all’evento del 19 settembre sia a quello del 20 settembre a Lecce.\n▷ apertura porte h 20.30\n▷ concerto\nh 21.00\n⦿ Geli Li [US] /// Breath VI\naccordion + electronics\naccordion: Michele Bianco\nelectronics: Gioele Nuzzo\n \nh 21.20\n⦿ CHRISTIAN FENNESZ [AT] /// MOSAIC\nelectric guitar + electronics \n\n/// MOSAIC [mixed media] with Mosaic\, Austrian composer and sound artist Christian Fennesz presents his latest exploration of the rich territory between guitar and electronics. Over more than three decades\, Fennesz has redefined the possibilities of the electric guitar\, transforming it through digital processing into vast\, immersive soundscapes where melody\, noise\, and texture merge seamlessly. Mosaic unfolds as a series of interconnected sonic fragments—shimmering harmonies\, fractured rhythms\, and luminous distortions that constantly shift between abstraction and emotional immediacy. Rather than reproducing the album on stage\, Fennesz’s live performances evolve in the moment\, balancing meticulous sound design with improvisation and spontaneity. The result is a deeply atmospheric experience that invites listeners into a world where fragile beauty emerges from digital complexity\, confirming Fennesz as one of the most distinctive voices in contemporary electronic music.\nFENNESZ ///  is the solo project of Austrian musician\, composer\, and sound artist Christian Fennesz (b. 1962\, Vienna). Since the early 1990s\, he has been one of the most influential figures in electronic and experimental music\, renowned for his distinctive fusion of guitar\, digital processing\, noise\, and ambient textures. International recognition came with Endless Summer (2001)\, now regarded as a landmark of electronic music. Acclaimed albums including Venice (2004)\, Black Sea (2008)\, Bécs (2014)\, Agora (2019)\, and Mosaic (2024) further developed his singular sonic language. Alongside his solo work\, Fennesz has collaborated with artists such as Ryuichi Sakamoto\, Alva Noto\, David Sylvian\, Jim O’Rourke\, Keith Rowe\, King Midas Sound\, and Lillevan. Performing worldwide for over three decades\, his live shows combine improvisation\, intricate sound design\, and emotional depth\, establishing him as one of the defining voices in contemporary electronic music. \n\nBreath VI [mixed media] /// Since 2020\, I have been developing a composition series titled Breath. This series explores the delicate interplay between noise and pitch\, aiming to articulate the subtle nuances and gentle gestures of sound. My goal is to weave together diverse sonic materials\, creating a rich mosaic where each sound resonates with purpose. By 2024\, I had composed six pieces in the Breath series\, each employing distinct instrumentation for varied sonic purposes\, providing multiple musical and conceptual perspectives on the theme of “breath.” Breath VI\, composed for accordion virtuoso Anthony Millet\, premiered at the ManiFeste Academy Festival\, IRCAM in June 2024. In this piece\, I employ electronics as an inner voice within the sound envelope\, enhancing the acoustic instrument with vivid and nuanced movements of inner voices. The fixed media and live electronics animate the accordion’s sound\, transforming the soundscape into a variety of sonic shapes\, gestures\, and expressions\, thereby adding depth to the sound.\nGeli Li /// is a Chinese-American composer whose musical journey spans Asia\, Europe\, and the United States. With over two decades of experience as a contemporary classical composer\, she has cultivated a prolific portfolio spanning both acoustic and electronic media\, advancing Eastern and Western musical traditions through a distinctive contemporary idiom. Her works have been performed by more than forty leading ensembles and orchestras worldwide\, including Talea Ensemble\, Klangforum Wien\, Alarm Will Sound\, and Orchestra of St. Luke’s\, among others.\n Recognized with more than fifty honors and distinctions\, her work has received awards including the Henri Lazarof International Commission Prize and the Luigi Nono International Composition Prize\, and has been supported through fellowships\, residencies\, and commissions at the Gaudeamus Festival\, DeGaetano Composition Institute\, Copland House\, the Mizzou International Composers Festival\, IRCAM’s ManiFeste\, the Rodamúsic Composers Residency in Spain\, and the Intimacy of Creativity at the Hong Kong University of Science and Technology.\nMichele Bianco/// graduated with honors in accordion from the “T. Schipa” Conservatory in Lecce under the guidance of Germano Scurti. A laureate of major international competitions\, he won first prizes at “Città di Castelfidardo”\, the 20th Val Tidone International Prize\, and the 12th National Arts award. He achieved top podium finishes at the Coupe Mondiale\, Trophée Mondial de l’accordéon and the “G. Zinetti” International Music Award. He regularly performs as a soloist\, with orchestras and in ensembles. His career includes appearances on Rai 1 and French TV\, collaborations with many musicians and performances at festivals worldwide\, from Lithuania to China. A champion of new music\, he has worked with international composers to expand the bayan repertoire (notably at “ComposersPlus” in Lithuania). In 2019\, his trio “Lecce Accordion Project” released the album Gogol under Maffucci Music\, featuring contemporary works. He released an album with the chamber ensemble “Sirius Accordion Trio” on Da Vinci Classics\, featuring music written specifically for accordion trio. He recorded his solo album “Silhouetten”\, which includes transcriptions and original works. \n  \n\n\n \n\n© Geli Li\n\n\n \n\n© Michele Bianco
URL:https://www.mainfest.it/calendar/main26fennesz/
LOCATION:Teatro Paisiello\, Via Giuseppe Palmieri 83\, LECCE\, 73100\, Italia
CATEGORIES:Audiovisual,Live Performance,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/lasx1Carsten-Nicolai-2-focus.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261002T203000
DTEND;TZID=Europe/Rome:20261002T220000
DTSTAMP:20260813T202322Z
CREATED:20260731T070344Z
LAST-MODIFIED:20260813T202322Z
UID:10845-1790973000-1790978400@www.mainfest.it
SUMMARY:MA/IN[X] - Icarus vs Schubert / MRSP
DESCRIPTION:© Icarus vs Muzak  \n🎟 ticket in vendita su EVENTBRITEe disponibili in loco fino esaurimento posti.\nPossibilità di acquistare il biglietto combo MA/IN[X] – Icarus vs Schubert / MRSP + Icarus vs Francesconi / ARS NATURA a un prezzo scontato\, che garantisce l’accesso sia all’evento del 2 ottobre sia a quello del 3 ottobre a Potenza.\n▷ apertura porte h 20.00\n▷ concerto\nh 20.30\n⦿ Icarus vs Muzak [IT] /// Schubert/Ratoci/Diba\n⌾ Alessandro Ratoci [IT] /// Muzak Player N.2\n⌾ Pedram Diba [IR/US] /// Pazhvak Astaneh\n⌾ Alexander Schubert [DE] /// Serious Smile \nh 21.45\n⦿ Huang Wei [TW]  /// MRSP\nA/V performance \n\n/// MRSP is a fully generative audio-visual performance. It invites a way of looking and listening without thinking or a fixed purpose\, as an exploration of my own aesthetics. The work moves from reaction diffusion textures\, to a familiar unreal sky built from layered noise\, and finally to magnetic fields shaped by the interaction between the magnetosphere and the solar wind. These invisible forces are close to daily life and can be felt as gentle shifts in rhythm and attention. Images follow the field’s direction and intensity\, while sound moves between near silence and noise.\nHuang Wei ///  is an audio-visual artist based in Taipei. His work centers on observations of everyday life\, transforming non-ordinary visual experiences into familiar contexts through intuitive imagination of objects and systems. Explores how image and sound operate together to enhance a sense of reality and immersion\, while incorporating his personal aesthetic sensibility. In recent years\, his practice has focused on algorithm-based image and sound systems\, developing real-time performance formats. His works have been presented at major events including the Lacking Sound Festival. In 2021\, he was selected for the Taiwan Sound Lab (TSL) residency program. He performed at TUNNEL TOKYO in 2023 and WeSA Festival in Seoul in 2024. Between 2021 and 2024\, he presented multiple dome-based immersive works at FUTURE VISION LAB\, and in 2024\, his works were selected for SAT Fest and the Melbourne International Film Festival (MIFF) \n\nIcarus vs Muzak /// is the continuation of the successful experience that was Icarus Junior – first youth ensemble founded and overseen by Icarus Ensemble in 2007. Their first production\, under the direction of Francesco Micheli\, was live streamed or RaiRadio3. Later\, Icarus produced “Prove di volo” for amplified instruments\, elecrtonics and video (created by Otolab and MartinenFabrik). “Prove di volo” was performed in San Francisco (Spring Festival of the Bay Area in collaboration with Italian institute of Culture) and in various italian cities. The following program\, “The Dark Side of the Moon-Revisited” with MartinenFabrik’s video art\, was performed in Zagreb Bienniale in 2009. Icarus Junior members took part in projects in Dijon\, Milan\, Cairo and Alexandria. “Soli Deo Gloria” was performed within the homonymous festival in Reggio Emilia in 2010\, with replies in Mantova\, Belfort\, Milan\, Modena. In 2014 “Cervelli in fuga”\, collection of youg italian composers in Paris\, was performed in Madrid\, Avila\, Milan/Brera\, Reggio Emilia. Icarus vs Muzak started his activity with various concerts based on percussions and the new current ensemble. The ensemble produced several programs for Maramotti Art Collection\, ranging from Terry Riley’s “In C” to a mixed Crumb/Guo Wengjing program. In 2017 the ensemble started a residency in Brera Academy (Milan)\, still ongoing\, in collaboration with Amici di Musica/Realtà. The resulting productions\, whether independent or shared with Icarus Ensemble\, are significant. Among those\, “Sinestesie” was created on the occasion of Brera Academy’s Open Day\, in collaboration with Brera Art Gallery: they performed Melchiorre’s “Unreported”\, an opera about Ustica air disaster\, created together with Associazione parenti delle vittime di Ustica\, with replies in Reggio Emilia and Bologna. The ensemble dedicated various thematic programs to contemporary repertoire.\nVoice Elizangela Torricelli\nFlutes Giovanni Mareggini\nOboe Orfeo Manfredi\nClarinet Alberto Delasa\nPiano Diego Petrella\nKeyboards Marco Pedrazzini\nGuitars Giorgio Genta\nHarp Gilda Gianolio\nPercussion Francesco Pedrazzini\nViolin Giorgia Saito\nViola Yoko Morimyo\nCello Luca Colardo\nDouble bass Mauricio Petta\nConductor Tommaso Ussardi \n  \n\n\n \n\n© Alexander Schubert\n\n\n \n\n© Huang Wei
URL:https://www.mainfest.it/calendar/main26icarus1/
LOCATION:Teatro Francesco Stabile\, Piazza Mario Pagano\, POTENZA\, 85100\, Italia
CATEGORIES:Audiovisual,Live Performance,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/08/GP4A0274-scaled-e1786269376181.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20261003T203000
DTEND;TZID=Europe/Rome:20261003T220000
DTSTAMP:20260813T202357Z
CREATED:20260731T071554Z
LAST-MODIFIED:20260813T202357Z
UID:10849-1791059400-1791064800@www.mainfest.it
SUMMARY:MA/IN[X] - Icarus vs Francesconi / ARS NATURA
DESCRIPTION:© Quentin Chevrier [Ars Natura]\n \n🎟 ticket in vendita su EVENTBRITEe disponibili in loco fino esaurimento posti.\nPossibilità di acquistare il biglietto combo MA/IN[X] – Icarus vs Schubert / MRSP + Icarus vs Francesconi / ARS NATURA a un prezzo scontato\, che garantisce l’accesso sia all’evento del 2 ottobre sia a quello del 3 ottobre a Potenza.\n▷ apertura porte h 20.00\n▷ concerto\nh 20.30\n⦿ Icarus vs Muzak [IT] /// Francesconi/Molina\n⌾ Luca Francesconi [IT] /// Lips\, Eyes\, Bang\n⌾ Agustín Castellón Molina [CL] /// A swarm of silhouettes rose from an inverted dawn \nh 21.00\n⦿ Annabelle Playe + Hugo Arcier [FR] /// Ars Natura\nA/V performance \n\n/// ARS NATURA – legend of the future or sonic archaeology of a forgotten world: representations of nature and brutalist architecture seem to unfold a false world. Is it a before or after Anthropocene\, a simulation or our planet? ARS NATURA is marked by human and animal absence\, apart from the performer who initiates the appearance and disappearance of the image through sound.\nSurvivor or initiator of another world\, human\, android or cyborg wondering about her origins? A viewer\, an interface\, a certain solitude.\nARS NATURA grapples with our connection to the living world through contemplation: a science-fiction that immerses us in a powerful\, wild and even disquieting nature.\nAnnabelle Playe /// is an artist specializing in experimental electronic music. She uses electronic instruments to create solo compositions\, audiovisual works\, and hybrid art forms. Dedicated to promoting greater visibility for women in music\, she addresses contemporary societal issues through narratives inspired by science fiction\, or by creating works that inhabit unique and powerful sonic worlds.\nHugo Arcier ///  is a French digital artist (in fact\, an artist in a digital world) who uses 3D computer-generated images in a variety of forms: videos\, prints and sculptures\, AV performances. His artistic work has been presented at Elektra\, Mutek Mx\, la Philharmonie de Paris\, Sonica\, Nemo\, art venues (New Museum NY\, New Media Art Center of Sichuan Fine Arts Institute\, Le Cube\, Okayama Art Center\, Palais de Tokyo)\, and contemporary art fairs (Variation\, Slick) around the world\, making him a noted player in the world of digital art. \n\nIcarus vs Muzak /// Icarus vs Muzak is the continuation of the successful experience that was Icarus Junior – first youth ensemble founded and overseen by Icarus Ensemble in 2007. Their first production\, under the direction of Francesco Micheli\, was live streamed or RaiRadio3. Later\, Icarus produced “Prove di volo” for amplified instruments\, elecrtonics and video (created by Otolab and MartinenFabrik). “Prove di volo” was performed in San Francisco (Spring Festival of the Bay Area in collaboration with Italian institute of Culture) and in various italian cities. The following program\, “The Dark Side of the Moon-Revisited” with MartinenFabrik’s video art\, was performed in Zagreb Bienniale in 2009. Icarus Junior members took part in projects in Dijon\, Milan\, Cairo and Alexandria. “Soli Deo Gloria” was performed within the homonymous festival in Reggio Emilia in 2010\, with replies in Mantova\, Belfort\, Milan\, Modena. In 2014 “Cervelli in fuga”\, collection of youg italian composers in Paris\, was performed in Madrid\, Avila\, Milan/Brera\, Reggio Emilia. Icarus vs Muzak started his activity with various concerts based on percussions and the new current ensemble. The ensemble produced several programs for Maramotti Art Collection\, ranging from Terry Riley’s “In C” to a mixed Crumb/Guo Wengjing program.\nIn 2017 the ensemble started a residency in Brera Academy (Milan)\, still ongoing\, in collaboration with Amici di Musica/Realtà. The resulting productions\, whether independent or shared with Icarus Ensemble\, are significant. Among those\, “Sinestesie” was created on the occasion of Brera Academy’s Open Day\, in collaboration with Brera Art Gallery: they performed Melchiorre’s “Unreported”\, an opera about Ustica air disaster\, created together with Associazione parenti delle vittime di Ustica\, with replies in Reggio Emilia and Bologna. The ensemble dedicated various thematic programs to contemporary repertoire.\nVoice Elizangela Torricelli\nFlutes Giovanni Mareggini\nOboe Orfeo Manfredi\nClarinet Alberto Delasa\nPiano Diego Petrella\nKeyboards Marco Pedrazzini\nGuitars Giorgio Genta\nHarp Gilda Gianolio\nPercussion Francesco Pedrazzini\nViolin Giorgia Saito\nViola Yoko Morimyo\nCello Luca Colardo\nDouble bass Mauricio Petta\nConductor Tommaso Ussardi \n\n\n \n\n© Luca Francesconi\n\n\n \n\n© Annabelle Playe
URL:https://www.mainfest.it/calendar/main26icarus2/
LOCATION:Teatro Francesco Stabile\, Piazza Mario Pagano\, POTENZA\, 85100\, Italia
CATEGORIES:Audiovisual,Live Performance,Mixed Media
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DTSTART;TZID=Europe/Rome:20261009T200000
DTEND;TZID=Europe/Rome:20261009T213000
DTSTAMP:20260809T105100Z
CREATED:20260731T162124Z
LAST-MODIFIED:20260809T105100Z
UID:10865-1791576000-1791581400@www.mainfest.it
SUMMARY:MA/IN[X] - Giovanna Sevi
DESCRIPTION:© Giada Lupano [Giovanna Sevi]\n \n🎟 biglietti disponibili solo in loco\n▷CHANGÜÍ – CONCERTO for VIOLIN + ELECTRONICS\nh 20:00\nPROGRAMMA\n \n\nRocio Cano Valiño [AR] /// Changüí\nKaija Saariaho [FI] /// Frises (I. Frise jaune II. Frise de fleurs)\nLeanna Ciciriello [IT] /// Attraverso questo Oblio\nAndrea Siano [IT] /// Across I\nLorena Dello Russo [IT] /// Thelxiope (Θελξιόπη)\nTianxiazi Huang [CN] /// Crust and Nebula\n\nin collaborazione con il Conservatorio “E. R. Duni” di Matera (classi di composizione e musica elettronica); coordinamento: M° Roberto Vetrano \n\n/// The word Changüí is a common expression in Rioplatense lunfardo (the slang traditionally spoken in Argentina and Uruguay)\, referring to an advantage\, a benefit\, a concession. In this work\, the gestures and sonic materials produced by the violin are gradually taken up\, extended\, and transformed by the electronics\, which offer them a kind of “second chance” or continuation: changüí becomes a musical metaphor. Rather than merely imitating the instrument\, the electronics establish a dialogue with it\, opening up an additional space for expression. [Rocío Cano Valiño]\nFrises focused on the idea of one historical ostinato variation form. The first part “Frise jaune” is a prelude\, a flexible improvisation around a constant D\, coloured by harmonics and the electronic part consisting of bell sounds. This part is also inspired by the idea of carillon. The second part “Frise de fleurs” is based on a harmony created on a ground bass. Sequences of successive chords are gradually enriched before opening to achieve a more free and lyrical development. [Kaija Saariaho]\n \nGiovanna Sevi /// is an Italian violinist based in Paris. Born in 1999\, she pursued her studies at the Conservatoire National Supérieur de Musique de Paris\, the Accademia Nazionale di Santa Cecilia in Rome and the Koninklijk Conservatorium in Ghent.\nAt the heart of her artistic project lie contemporary creation and dialogue with composers. She collaborated with the Ensemble Intercontemporain\, Musikfabrik\, L’Itinéraire\, and Ictus\, and with composers like Georges Aperghis\, Marco Stroppa\, George Benjamin\, Beat Furrer\, Stefano Gervasoni.Laureate of the Lucerne Festival\, she has performed as a soloist at Manifeste Festival (IRCAM\, 2025)\, Festival Présences (Radio France\, 2026)\, Impuls Festival (Graz\, 2025)\, Festival Propagations (Marseille\, 2024)\, Mixtur Festival (Barcelona\, 2024)\, Blurred Edges Festival (Hamburg\, 2026)\, Meridian Festival (Bucharest\, 2024)\, Festival Messiaen aux Pays de la Meije (La Grave\, 2024). Giovanna plays a 1876 Gand & Bernardel violin\, kindly loaned from the Fondation Talents & Violon’celles in Paris. She is supported by the Société Générale and by the ADAMI Fondation. \n  \n\n\n     \n\n         \n\n© Rocío Cano Valiño\n     \n\n         \n\n© Kaija Saariaho
URL:https://www.mainfest.it/calendar/giovannasevi/
LOCATION:il Piccolo\, Via XX Settembre 14\, MATERA\, 75100\, Italia
CATEGORIES:Educational,Mixed Media
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