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DTSTART;TZID=Europe/Rome:20261009T200000
DTEND;TZID=Europe/Rome:20261009T213000
DTSTAMP:20260809T105100Z
CREATED:20260731T162124Z
LAST-MODIFIED:20260809T105100Z
UID:10865-1791576000-1791581400@www.mainfest.it
SUMMARY:MA/IN[X] - Giovanna Sevi
DESCRIPTION:© Giada Lupano [Giovanna Sevi]\n \n🎟 biglietti disponibili solo in loco\n▷CHANGÜÍ – CONCERTO for VIOLIN + ELECTRONICS\nh 20:00\nPROGRAMMA\n \n\nRocio Cano Valiño [AR] /// Changüí\nKaija Saariaho [FI] /// Frises (I. Frise jaune II. Frise de fleurs)\nLeanna Ciciriello [IT] /// Attraverso questo Oblio\nAndrea Siano [IT] /// Across I\nLorena Dello Russo [IT] /// Thelxiope (Θελξιόπη)\nTianxiazi Huang [CN] /// Crust and Nebula\n\nin collaborazione con il Conservatorio “E. R. Duni” di Matera (classi di composizione e musica elettronica); coordinamento: M° Roberto Vetrano \n\n/// The word Changüí is a common expression in Rioplatense lunfardo (the slang traditionally spoken in Argentina and Uruguay)\, referring to an advantage\, a benefit\, a concession. In this work\, the gestures and sonic materials produced by the violin are gradually taken up\, extended\, and transformed by the electronics\, which offer them a kind of “second chance” or continuation: changüí becomes a musical metaphor. Rather than merely imitating the instrument\, the electronics establish a dialogue with it\, opening up an additional space for expression. [Rocío Cano Valiño]\nFrises focused on the idea of one historical ostinato variation form. The first part “Frise jaune” is a prelude\, a flexible improvisation around a constant D\, coloured by harmonics and the electronic part consisting of bell sounds. This part is also inspired by the idea of carillon. The second part “Frise de fleurs” is based on a harmony created on a ground bass. Sequences of successive chords are gradually enriched before opening to achieve a more free and lyrical development. [Kaija Saariaho]\n \nGiovanna Sevi /// is an Italian violinist based in Paris. Born in 1999\, she pursued her studies at the Conservatoire National Supérieur de Musique de Paris\, the Accademia Nazionale di Santa Cecilia in Rome and the Koninklijk Conservatorium in Ghent.\nAt the heart of her artistic project lie contemporary creation and dialogue with composers. She collaborated with the Ensemble Intercontemporain\, Musikfabrik\, L’Itinéraire\, and Ictus\, and with composers like Georges Aperghis\, Marco Stroppa\, George Benjamin\, Beat Furrer\, Stefano Gervasoni.Laureate of the Lucerne Festival\, she has performed as a soloist at Manifeste Festival (IRCAM\, 2025)\, Festival Présences (Radio France\, 2026)\, Impuls Festival (Graz\, 2025)\, Festival Propagations (Marseille\, 2024)\, Mixtur Festival (Barcelona\, 2024)\, Blurred Edges Festival (Hamburg\, 2026)\, Meridian Festival (Bucharest\, 2024)\, Festival Messiaen aux Pays de la Meije (La Grave\, 2024). Giovanna plays a 1876 Gand & Bernardel violin\, kindly loaned from the Fondation Talents & Violon’celles in Paris. She is supported by the Société Générale and by the ADAMI Fondation. \n  \n\n\n     \n\n         \n\n© Rocío Cano Valiño\n     \n\n         \n\n© Kaija Saariaho
URL:https://www.mainfest.it/calendar/giovannasevi/
LOCATION:il Piccolo\, Via XX Settembre 14\, MATERA\, 75100\, Italia
CATEGORIES:Educational,Mixed Media
ATTACH;FMTTYPE=image/jpeg:https://www.mainfest.it/wp-content/uploads/2026/07/Portrait-Giovanna-Sevi_oh-Giada-Lupano.jpg
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